1、 Adhere to the design concept of new, fine, strange and special, and adhere to the principle of innovation.

新：即創(chuàng)新，有創(chuàng)新才能超越，抄襲、模仿是永遠(yuǎn)沒有出路的；

New: that is, innovation, innovation can surpass, plagiarism and imitation will never have a way out;

精：即精品，它是高端的代名詞，但不一定非要華麗或使用高端昂貴的材料。相反回歸自然，樸素自然是更為流行的。；

Fine: fine, which is synonymous with high-end, but it does not have to be gorgeous or use high-end expensive materials. On the contrary, returning to nature, simple nature is more popular.;

奇：即奇異，奇妙的，意想不到的，如果您想看到這種狀態(tài)，您會被它深深震撼，并且您將永遠(yuǎn)記住它的效果。

Strange: that is strange, wonderful and unexpected. If you want to see this state, you will be deeply shocked by it, and you will always remember its effect.

特：即特色，避免同質(zhì)化，并在完成后形成自己非常明顯的個性和特征。一旦形成了自己獨(dú)特的個性和特征，別人就很難復(fù)制和模仿。

Special: that is, characteristics, avoid homogenization, and form their own very obvious personality and characteristics after completion. Once you have formed your own unique personality and characteristics, it is difficult for others to copy and imitate.

對于水上樂園的環(huán)藝包裝而言“新、精、奇、特”是環(huán)境藝術(shù)包裝的關(guān)鍵點(diǎn)，如果完成了這些要點(diǎn)，再加上水上樂園設(shè)施的娛樂性，整個水上樂園就會恢復(fù)活力。、

For the environmental art packaging of the water park, "new, fine, strange and special" is the key point of the environmental art packaging. If these key points are completed, coupled with the entertainment of the water park facilities, the whole water park will recover its vitality.

二、大小匹配且分散，并且與水上樂園設(shè)施融為一體

2、 The size is matched and scattered, and integrated with the water park facilities

環(huán)境藝術(shù)不是盡可能的大。這取決于水上樂園的整體面積。有時，較小的景觀更具吸引力。設(shè)計空間相對開放的大型景觀是一種常見的做法。當(dāng)空間相對較小時，請設(shè)計具有匹配大小的小景觀。盡管很難一次獲得一個場景的感覺，但請注意視覺空間的間隔。，但是從一個空間走到另一個空間需要獨(dú)特的視覺體驗(yàn)。

Environmental art is not as big as possible. This depends on the overall area of the water park. Sometimes smaller landscapes are more attractive. It is a common practice to design large-scale landscape with relatively open space. When the space is relatively small, please design a small landscape with matching size. Although it is difficult to get the feeling of one scene at a time, please pay attention to the spacing of visual space., But moving from one space to another requires a unique visual experience.

水上樂園的環(huán)境藝術(shù)包裝景點(diǎn)不應(yīng)太規(guī)整。盡管規(guī)則的景觀有時會使人感到震驚，但在水上樂園中卻不是很合適。一方面，當(dāng)規(guī)模較大時，難以控制成本。另一方面，水上樂園是休閑娛樂的場所，它更加休閑和自然。

The environmental art packaging scenic spots of water park should not be too regular. Although the regular landscape can sometimes be shocking, it is not very suitable in a water park. On the one hand, when the scale is large, it is difficult to control the cost. On the other hand, water park is a place for leisure and entertainment. It is more leisure and natural.

三、把握市場需求，控制投資成本，以營銷理念為設(shè)計指導(dǎo)

3、 Grasp the market demand, control the investment cost, and take the marketing concept as the design guidance

投資成本問題是一個現(xiàn)實(shí)問題。水上樂園的主角最終是水上樂園的設(shè)施。環(huán)境藝術(shù)是一種輔助功能。如果錢投入少，就沒有效果，投資過多的成本很難收回。一般來說，對環(huán)境藝術(shù)的投資應(yīng)占水上樂園投資總額的10％-20％，但這不是絕對的。環(huán)境藝術(shù)和水上樂園設(shè)施的投資應(yīng)根據(jù)項(xiàng)目的位置確定。

The problem of investment cost is a realistic problem. The protagonist of the water park is the facilities of the water park. Environmental art is an auxiliary function. If less money is invested, there will be no effect, and the cost of excessive investment is difficult to recover. Generally speaking, the investment in environmental art should account for 10% - 20% of the total investment in water parks, but this is not absolute. The investment in environmental art and water park facilities shall be determined according to the location of the project.